Top 10: My favorite albums

 I have found the process of ranking albums particularly difficult because, you know, my life is so hard and this is the apex of my concerns at the moment. There are two ways of looking at an album: it produced a lot of songs I like vs it’s a coherent, focused piece of work. I eventually put emphasis more on albums which were more focused around a certain sound rather than a clusterfuck of catchy tunes. So without further ado, here are my top ten albums (not that you care, but I like lists so I’m going to post it anyway):

10. Teenage Dream / Katy Perry / 2010

katyteenagedream

This little bundle of sugary pop confectionary damn near gave me diabetes in the fall of 2010. A “dream” is an apt title for this album because it’s so all over the place that no other title would rationalize the A.D.D. on display: peacocks, melting popsicles, aliens, break-ups, fireworks, sad faces, happy faces, etc. But for a diverse album, it sure did give us some solid hits.

Pick three: “Teenage Dream” / “Hummingbird Heartbeat” / “Part of Me”

9. Closer / Josh Groban / 2003

joshgrobancloser

Can classical music be mainstream? Yes. Josh Groban made us all a little classier and worldly with this 5x-platinum sophomore release. Italian, French, Spanish, English–You name it, it’s sung. “Closer” is just such a beautiful album and Groban’s voice is like super dope and can make the hairs on your neck do the Harlem Shake. It’s a great publicity tool for Rosetta Stone too.

Pick three: “All’improvviso Amore” / “Si Volvieras A Mi” / “Remember When It Rained”

8. Confessions / Usher / 2004

usherconfessions

One word: YEAH! Not only was THE song of the first decade of the millennium on this album, but it was also the birth of Ur-sher, baby. Soulful R&B and Usher’s falsetto just play so well together. From dancing on table tops to dropping panties in a blink of an eye: that is the magic of “Confessions,” along with some relationship faux-pas. If only everyone could sound so sexy and amazing for being a lowly, cheating douchebag.

Pick three: “Yeah” / “Can U Handle It” / “Burn”

7. Own the Night / Lady Antebellum / 2011

ladyantebellumownthenight

I can just smell the cornfields already. Lady Antebellum does such an amazing job at making country music that has cross-market appeal. This album in particular is so soothing and easy-going. It makes me want to bust out a flannel shirt and sit on a porch swing from dusk to dawn in the middle of October. My descriptions are very specific. So weird to think I saw them open for Carrie Underwood once and was like “Another song? Can they just get off–like, now?” How times have changed.

Pick three: “We Owned the Night” / “Dancin’ Away With My Heart” / “Wanted You More”

6. 4 / Beyonce / 2011

beyonce4

This is perhaps the funniest selection on this list. I vividly remember throwing an epic tantrum after sampling this originally. I. Was. Piiiiissed. “This album is horrible. Who does she think she is now? This ain’t 1960. Who killed Sasha Fierce? Where she at?” And then time passed and mended all of my Beyonce wounds. I can now appreciate the restraint and artistic direction she went with this, it just took some time. I like to go hard to Bey and this was not affording me the chance. “4” is just so unique and a breath of fresh air amid the dance-music revolution that was happening all around it.

Pick three: “Run the World (Girls)” / “End of Time” / “Love on Top”

5. Aaliyah / Aaliyah / 2001

aaliyah

Too many thoughts to write down. I think it’s a known fact–my feelings toward Aaliyah. One of the best ever. The production on this album in conjunction with her smooth chops just slays everything. She pushed the boundaries of soul into the future on this album and it makes for such a cool vibe. Mad swag alert.

Pick three: “Rock the Boat” / “I Care 4 U” / “We Need A Resolution”

4. Hybrid Theory / Linkin Park / 2000

linkinparkhybridtheory

Whodathunk that hip-hop and rock would sound good together for the duration of an entire LP? Linkin Park burst onto the scene in 2000 with this epic debut, pushing the boundaries of musical labels. The sound was different from anything I had heard before and I remember my dad (rock lover) playing this all summer long until the point that I even put my Spice Girls on hold to listen to it instead. It also reminds me of the time when 11-year-old me would listen to “In the End” with a heavy heart because I thought I had AIDS and was going to die. Medical hypochondria set in very early for me, clearly.

Pick three: “In the End” / “Papercut” / “With You”

3. Heal / Loreen / 2013

loreenheal

I have always stood by my claim that no one does pop music better than the Swedes. This album confirms that. But it’s more than just pop; there are shades of R&B and dance interwoven throughout. I have a “thing” for chill, night songs that have dance/trance elements incorporated and this album gave me a big, fat American-restaurant serving of that. It’s just so freaking cool. I also just happen to be obsessed with Loreen, which you can read all about in my #Addicted post dedicated to her. It’s dark, brooding and magical–like Harry Potter, sexed up with a strobe light.

Pick three: “Euphoria” / “Do We Even Matter” / “Crying Out Your Name”

2. Goodbye Lullaby / Avril Lavigne / 2011

avrilgoodbyelullaby

I adore this album. Like “We Own the Night,” it’s just an effortless album to listen to. The tracks are all coherent and incredibly cute. And like “4,”this was not one of Avril’s best-selling albums by a long shot. All of the angst and screaming was stripped away and there she was, introspective and sad–I enjoyed it. It’s like Adele, I like you being miserable, because you make good music for my ears. Just a tad selfish?

Pick three: “I Love You” / “Stop Standing There” / “What the Hell”

1. Daydream / Mariah Carey / 1995

mariahcareydaydream

Nothing can ever or will ever top this album. I don’t know what it is about it–it’s just an untouchable. I mean, there is the fact that this album produced three MONSTER hits–“Always Be My Baby” being my favorite song of all-time. Mariah’s voice on this album though is just in a class of its own. I also feel like this album was the perfect blending of her pop beginnings and eventual R&B persuasion, which helped push it seven-times platinum in the US (her second best, after her eponymous debut album). I have always longed for her to abandon her routine, Jermaine Dupri R&B productions and revert back to this spirited and lively period in her music, but apparently she likes the declining trend in her record sales. This album is best for sitting out on a summer’s night atop the cool grass gazing up at the stars. Try it. I can’t anymore in L.A. because a) there is no more grass and b) air pollution has killed stargazing abilities.

Pick three: “Always Be My Baby” / “Fantasy” / “One Sweet Day”

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